After the Deluge: The Show Goes On at Aichi Triennale 2019
Colin Smith
In Japan, even those who don't follow art have heard about Aichi Triennale 2019 because of controversy that erupted over one section (one work, really) right after it opened on 1 August. While publicity is always good, there is far more to this international contemporary art festival than the section (currently closed) that sparked the media frenzy. In this writer's opinion, this fourth Aichi Triennale is the best so far (and only open for two more weeks -- do not delay!), and while a member of the organizing committee says the stir has had little net impact on the number of visitors, one hopes the wide recognition the festival inadvertently gained will help it grow and prosper in the future. more...
A View on Structure: Highlighting the Critical Role of Structural Engineers in Japan's Iconic Buildings
James Lambiasi
When I meet someone while traveling abroad and I mention that I am an architect practicing in Japan, there is one reaction that I receive more than any other: "With the earthquakes in Japan, you must be very knowledgeable about structures." To this comment my response is consistent. I explain quite frankly that I am not particularly knowledgeable, as I rely on collaboration with extremely talented structural engineers. more...
String Theory: Chiharu Shiota at the Mori Art Museum
Alan Gleason
Artists whose installations feature vast webs of yarn or thread (and there are quite a few these days) often speak of them as symbols of interconnection, whether between the self and others, life and death, or past, present and future. But such materials trigger other associations too. When we first enter one of Chiharu Shiota's room-sized constructions of red or black thread, the material's color alone can dramatically affect our emotional response. Swathes of red readily suggest blood, or fire; black may conjure up clouds of smoke or the dark of night. more...
